Document Details
|
Document Type |
: |
Thesis |
|
Document Title |
: |
Sculpture with an Islamic Spiritual Expression Compared to Religious Sculpture in Other Civilizations النحت بتعبير روحاني إسلامي مقارناً بالنحت الديني في الحضارات الأخرى |
|
Subject |
: |
Home Economics |
|
Document Language |
: |
Arabic |
|
Abstract |
: |
Religion is the base of life, therefore, the research problem focused on how to express our religion and or spiritual values through the art, which leads to study both spiritual and conceptual aspects for various art civilizations and take both initial African art and romantic, with different expression styles, then comparing them with Islamic art, and also to understand the abstraction styles in all of these arts, the study focuses on the role of the nature from art to another, that is leads to use the comparative History method in order to be more consider about the actual beauty of the Islamic art and benefit from that in sculpture works which expressed spiritual meanings with modern deprivation style.
The study started by studying relation of the art with the society as well as the religion, while this relation was in the beginning of the first human era which evidence to it is importance and strength, the initial African art has been taken as example, where the magic represented the spiritual aspect as they express their feelings with the arts, then the study focused on the effect of the belief on the romantic art, with expression, description, and explanation of the religion instructions and respect of the religious personnel, therefore, the romantic artist turned to share between the symbol and the natural forms after corrupting the rate which stimulate the spiritual feelings.
Then, the Islamic art studied accurately in detail concentrating on actuality of this art, it’s conceptual fundamental, methodology in the life and how expressed about the universe, life and the human, in addition to recognize the belief influence in the Islamic art. the nature and it is role to influence contemplating and different forms from has different the art to another belief and conceptual values from the art to another the romantic artist turn to combine between the symbol and the natural forms after corrupting it descent that stimulate the Christianity spiritual senses. But the Muslim artist in contemplating the nature not shortened to look only to the beauty and colors form but commenced for to reach after the obvious, when the fundamental of God is the higher, and thus, the artistically abstraction was completely different, but was more spiritual and rich of the conceptual values becomes of expressing significant value, the single nature in opinion of artist is fundamental form which different with the spiritual direction and objective of the work, and accordingly, the deprivation shapes has become different in degrees from art to another.
The belief effect was known through the study and it is role in all these art and how those people expressed their senses to the creation, inspire of their different religion form. |
|
Supervisor |
: |
Prof .Fouad Said Alswaifi |
|
Thesis Type |
: |
Master Thesis |
|
Publishing Year |
: |
1430 AH
2009 AD |
|
Added Date |
: |
Saturday, February 6, 2010 |
|
Researchers
| مها سامي تركي | Turki, Maha Sami | Researcher | Master | |
|
Back To Researches Page
|